Since I had not seen Maheshinte Prathikaaram or Nimir, I had the benefit of watching the tale of Mahesh’s revenge playout for the first time. And I liked what I saw.
Yaara should have been a uniformly fast-paced ride, studded with interesting performances, but it works only sporadically.
Dil Bechara movie review: It is the occasional sweetness that Sushant Singh Rajput and Sanjana Sanghi Sanghi manage to rustle up that carries the film.
What makes French Biriyani truly cosmopolitan is each character remains culturally distinct and yet coexist. They speak different dialects and yet they understand each other so well. And is there a better way to pay tribute to a city which is as diverse as Bengaluru?
Law offers a jaded gaze at crimes against women and a woman's effort to get justice within the confines of law.
Tom Hanks’ performances habitually do not call attention to themselves. In this one, he goes even more minimalistic, literally battening down on his hatches, as he takes split-second calls.
There are some lax moments, and a bit of portentousness in the dialogue. But in the way of slick superheroes flicks, there’s enough wham-bam, guns rattling and bodies piling up, to keep things ticking over nicely.
Sufiyum Sujatayum review: It doesn’t help that the lovely Aditi Rao Hydari doesn’t really fill her part. For someone who doesn’t have spoken dialogue, the body language needs to be strong: Hydari has a few nice moments, but she is limited in the rest of it.
The last time Manoj Bajpayee internalised a role as much was in 2017's Gali Guleiyan. Here he is even better. Bhonsle, streaming on SonyLIV, gives us an actor on the top of his game.
At two hours, it is a stretch. A heavy-handed plot twist, which involves Krishna’s father and his philandering ways, bunged in as a lesson, makes the going bumpy. But the tone remains conversational and light, and Krishna breaking the fourth wall frequently, addressing us directly, doesn’t mercifully feel gimmicky or overdone.
Bulbbul is fashioned as a sharply relevant fable. It is a powerfully feminist, revisionist tale of a woman wronged, and it is told with economy, precision, style and feeling.
Joseph Gordon-Levitt starrer 7500 does not have anything substantial to say. But as a piece of pure entertainment, it is supremely effective.
Keerthy Suresh tries to make the best of a bad job, and is quite a sight when squaring up to monsters, but the proceedings let her down.
The opening of Kadakh is enough bait to stick through the entire thing, even though it meanders for long patches in the middle. We'll always expect more from the man who made Ankhon Dekhi, and while Kadakh doesn't surpass that, it surpasses a lot of desi content that we have been watching online.
Da 5 Bloods is Spike Lee in major key, all trumpets blowing. And what a film it is, excavating past and present, real and fictional, to become not just one of his best, but also a tremendously topical comment on race and race relations, with the impact of George Floyd’s murder still reverberating around the world.
I missed the zest, the drollness and sharpness, that Juhi Chaturvedi’s writing is so full of. Some of that edge shows up in the way the women, old and young, are etched, all happily themselves, never at a loss for words: you wish they had more to do.
Choked movie review: Choked doesn’t quite live up to its premise: it has some fine elements, but the connective tissue that binds it all together is a weak stretch.
Ponmagal Vandhal movie review: Jyotika carries the film with her performance, but you wish she varied the mix of pain-sorrow-determination: after a point it becomes one-note.
‘Comedy likho, badi demand hai’, Ghoomketu is told. We really could do with some laughs in these grim times, and this film’s premise did hold out promise, but it turns out to be more clutch-your-head-ache, than hold-your-sides-laughter.
Mrs Serial Killer movie review: Nothing, not Jacqueline Fernandez in her perfectly coiffed curls, nor Mohit Raina trying very hard to appear as if he knows what’s going on, nor the sundry others who come and go, help. Nor, I’m forced to regretfully report, Manoj Bajpayee, who should have known better.
Ema puts out many contradictory things out there, but my biggest takeaway is something quite simple: love can heal even the deepest wounds. And that sometimes, you can burn the dislike, and hatred, off.
R K Nagar is bankrolled by Venkat Prabhu. One can’t help but wonder, why would a decent filmmaker like him encourage such an incompetent and careless piece of work.
Extraction movie review: There’s not much space in a Chris Hemsworth produced film for too many other faces, but still, the desi contingent does get a look-in.
Bamfaad brings back memories of the small-town love story that Bollywood used to tell, and keeps us watching with a fluid flourish or two, even if we wish for much more freshness, as it takes us to a fully filmi end.